Commercial
TV & Digital
Leica
Harvest of Memories
My roles: Editor, 2nd AC, Data Manager
CREDITS
Year: 2025
Client: Leica
Company: DDM Studio
Author: Davide De Martis
Director: Pier Francesco Coscia
Cinematographer: Devid Fichera
Sonus Faber & Lamborghini
Il Cremonese Ex3me
My roles: Editor
Year: 2025
Client: Sonus Faber & Lamborghini
Production Company: DDM Studio
Director: Davide De Martis
Executive Producer: Pier Francesco Coscia
Cinematographer: Devid Fichera
Garnier
Acqua Micellare Bifase
My roles: Editor, Colorist, Data Manager
Year: 2024
Client: Garnier
Agency: Ideal
Production Company: Sala Giochi
Executive Producer: Riccardo Giacobini
Director: Antonino Valvo
Cinematographer: Sirio Vanelli
Samsung
Galaxy S24 Ultra
My roles: Localization Editor
CREDITS
Year: 2023
Client: Samsung
Post-Production House: Imago VFX
Post-Production Producer: Fabrizio Nastasi
Garnier
Ultra Dolce "Al Bisogno"
My roles: Editor, Data Manager
Year: 2025
Client: Garnier
Agency: LePub
Production Company: Sala Giochi
Executive Producer: Riccardo Giacobini
Director: Antonino Valvo
Cinematographer: Sirio Vanelli
Sonus Faber
Suprema
My roles: Editor
Year: 2024
Client: Sonus Faber
Production Company: DDM Studio
Executive Producer: Pier Francesco Coscia
Director: Davide De Martis
Cinematographer: Paolo Bertino
Ferrari
Roma Spider
My roles: Assistant Editor, Compositor, Finishing Artist
Year: 2024
Client: Ferrari
Agency: Independent Ideas
Production Company: Fargo Film
Executive Producer: Federico Mazzola
Director: Marco Placanica
Cinematographer: Alessandro Dominici
Garnier
Olia
My roles: Editor, Colorist, Data Manager
Year: 2024
Client: Garnier
Agency: Ideal
Production Company: Sala Giochi
Executive Producer: Riccardo Giacobini
Director: Antonino Valvo
Cinematographer: Sirio Vanelli
Giocheria Italia
Doniamo emozioni
My roles: Editor
Year: 2023
Client: Giocheria Italia
Agency: Tunnel Studios
Production Company: Adrama
Post-Production Company: Imago VFX
L'Oréal Paris
Revitalift Laser X3
My roles: Editor, Colorist, Data Manager
Year: 2025
Client: L'Oréal Paris
Agency: OutNow
Production Company: Sala Giochi
Executive Producer: Riccardo Giacobini
Director: Enea Colombi
Cinematographer: Enea Colombi
Festival di Sanremo 2025
La mia Liguria
My roles: Assistant Editor
Year: 2025
Client: Regione Liguria
Production Company: Fargo Film
Executive Producer: Federico Mazzola
Director: Marco Placanica
Cinematographer: Devid Fichera
Petronas Network
Legacy
My roles: Compositor, Finishing Artist & Delivery Operator
Year: 2025
Client: Petronas
Production Company: Fargo Film
Executive Producer: Federico Mazzola
Director: Federico Gasca
Cinematographer: Beppe Gallo
Italiana Assicurazioni
Non c'è cosa più italiana
My roles: Editor & Data Manager
Year: 2025
Client: Italiana Assicurazioni
Agency: Ideal
Production Company: Sala Giochi
Executive Producer: Riccardo Giacobini
Director: Antonino Valvo
Cinematographer: Alessandro Dominici
Narrative
Short Movies & Feature Length
Brunello
Il Visionario Garbato
My roles: Digital Compositor
CREDITS
Year: 2025
Distribution: 01 Distribution
Production Company: Masi Film, Brunello Cucinelli S.p.a.
Director: Giuseppe Tornatore
Editors: Pietro Foglietti, Massimo Quaglia
Music: Enrico Piovani
VFX Supervisor: Alessio Bertotti
The documentary film tells the story of Brunello Cucinelli—humanist entrepreneur, founder of the company that bears his name, and a symbol of Italian excellence worldwide—who has united work and philosophy. In the cast, Saul Nanni plays a young Brunello Cucinelli. The film also features Francesco Cannevale, Francesco Ferroni, Emma Fatone, and Beatrice Carlani. Blending documentary and fiction, Brunello, the Courteous Visionary retraces the places and defining moments of Brunello Cucinelli’s life: from a rural childhood to the village of Solomeo, transformed into a symbol of humanistic capitalism. Testimonies, archival footage, and personal memories portray a man who, from humble beginnings, built a world-renowned company while holding fast to the values of dignity, beauty, and social justice. The story ends with the awareness that dreams—nurtured with courage—are the true force that shapes destiny.
TV Series
Sul Più Bello
My roles: Data Manager
CREDITS
Year: 2024
Distribution: Amazon Prime Video
Director: Francesca Marino
Writers/Creator: Roberto Proia, Francesca Marino
Production Company: Eagle Pictures, Amazon Prime Video
Director of Photography: Simone D'Onofrio
Editor: Pierluigi Darino
Costume Designer: Cristina Audisio
Casting Director: Stefano Rabbolini
Cast: Ludovica Francesconi as Marta, Jozef Gjura, Gaja Masciale, Giancarlo Commare, Denise Capezza, Diego Giangrasso, Lupo Barbiero, Thony, Giulio Cristini
Following her successful lung transplant, Marta (Ludovica Francesconi) is embracing adulthood, aiming to take control of her life, and exploring her independence, talents, and femininity. While she navigates this new chapter, her close friends Jacopo (Jozef Gjura) and Federica (Gaja Masciale) face their own growing-up challenges and responsibilities. Gabriele remains a close friend, but the series introduces new emotional stakes, including a new, dark, and fascinating character named Nicola, whom she meets in a support group for terminal patients, alongside her friends dealing with their own romantic dilemmas.
La Luce nella Masseria
My roles: VFX Coordinator
CREDITS
Year: 2024
Distribution: Rai
Production Company: Rai Fiction, Eliseo Entertainment
Producer: Luca Barbareschi
Directors: Tiziana Aristarco & Riccardo Donna
Screenwriters: Saverio D'Ercole, Salvatore Basile, and Roberto Moliterni
Cinematographer: Alessio Gelsini Torresi
Cast: Domenico Diele, Aurora Ruffino, Giovanni Limite and Renato Carpentieri
Editor: Davide Miele
Music: Carmine Padula
Post-Production Company: Imago VFX
Post-Production Producer: Fabrizio Nastasi
VFX Supervisor: Alessio Bertotti
The Rondinone family owns a farm near Matera. The illness of one of the family members leads to tensions, with arguments over the inheritance and the decision to sell. Eleven-year-old Pinuccio has a plan to reunite his family.
Season 2
Cuori
My roles: Digital Compositor
CREDITS
Year: 2023
Distribution: Rai
Production Company: Rai Fiction, Aurora TV
Producer: Giannandrea Pecorelli
Director: Riccardo Donna
Cast: Pilar Fogliati, Matteo Martari, Daniele Pecci
Post-Production Company: Imago VFX
Post-Production Producer: Fabrizio Nastasi
Following the intense events of the first season, the pioneering team of cardiologists at Le Molinette, led by the visionary Cesare Corvara, continues to push the boundaries of heart surgery in Turin during the late 1960s. The season is characterized by a blend of historical medical drama, social change (1968 era), and intense romantic intrigue.
Una Giornata Iper
My roles: Editor, Colorist, GFX, VFX, Data Manager
Year: 2024
Client: Iper
Agency: Brandstories
Production Company: Sala Giochi
Producer: Riccardo Giacobini
Executive Producer: Pier Francesco Coscia
Creative Director: Mattia Garofalo
Director: Mattia Napoli
Cinematographer: Alessandro Dominici
Watch “Una Giornata Iper”, our first documentary: an unusual investigative story with an engaging, ironic tone that blends fantasy and reality to showcase the values, excellence, and people who have made Iper what it is today. Discover the story of Giulio, our newly hired protagonist, and let yourself be inspired by our collective journey. Don’t miss this one-of-a-kind short film—and celebrate Iper’s first 50 years with us!
A Loving Act
My roles: Colorist
Year: 2023
Production Companies: EIE film, Malfé Film, Ground Vista Productions
Producers: Zelia Zbogar, Alessandro Carroli, Matteo Tortone, Gerta Beqiri
Director: Riccardo Bianco
Editor: Enrico Giovannone
During the 2020 pandemic, a couple is stuck in an apartment in Budapest. Riccardo is a journalist; Kata is a porn actress. Together, they decide to film their life in quarantine. They love each other in a provocative, sensual way—until something unexpected happens. The passion they shared has vanished, both inside and outside the frame. Within the confines of four walls, something has disappeared, but no matter how hard they try, it’s impossible to name it—impossible to heal it. The end of a relationship told through an ever-present camera, with neither shame nor censorship.
Il Rumore della Luce
My roles: Assistant Editor
Year: 2025
Director: Riccardo Bianco
Editor: Riccardo Bianco
The Flight of The Heron
My roles: Colorist, Assistant Editor, Re-Recording Mixer
CREDITS
Year: 2021
Director: Giuliano Cammarata
Cinematographer: Alessio Nicastro
Editors: Giuliano Cammarata, Alessio Nicastro
In the summer of 2016 two Italian film makers, Giuliano Cammarata and Alessio Nicastro, visited Kyoto, where they documented the training sessions and performances of Udaka Michishige and his students. The Flight of the Heron is an excerpt from a forthcoming longer documentary, featuring interviews with Michishige, his sons and daughter, and with members of the International Noh Institute.
Scudetto 2023
Napoli
My roles: Colorist
CREDITS
Year: 2023
Film Maker: Pier Francesco Coscia
Battaglia
Volpe Rossa
My roles: Film Maker, Editor, Colorist
Year: 2019
Production Company: Studio Stage
Director: Luca Leli
Nicola "Volpe Rossa", during a hunting trip, walks in a wooded and rugged area in Mont Foltrone, in Abruzzo. Dogs bark as they are hunting down a wild boar, but actually it's not like that...
Chi Sei!?
My roles: Sound Editor, Re-Recording Mixer
CREDITS
Year: 2018
Director: Pamela Siclari
Cinematographer: Giuseppe Gullotta
Realms World
Eternum
My roles: Colorist & Compositor
Year: 2024
Production Company: Realms World
Director: Giacomo De Caro
Sound Design: Luca Leli
Eternum is a living medieval game world. Build a civilisation. Hunt intelligent AI-agent NPCs. Trade in a real economy. It’s Civilisation, reimagined onchain, with real stakes and unrestrained conquest. A new frontier in RTS gaming.
Documentary
mlnmtt's tales
European Union
Forgotten Frontiers
My roles: Film Maker, Editor & Colorist
Year: 2025
Organization: Absentia
Forgotten Frontiers: Stories from Europe’s Remote and Rural Communities
Europe’s remote and rural regions hold hidden stories of resilience, innovation, and adaptation. In this documentary, we travel across Iceland, Spain, Italy, and Portugal, meeting changemakers, entrepreneurs, and local communities working to tackle challenges like depopulation, sustainable development, and digital transformation.
Through their voices, we uncover the realities of life in isolated areas and explore how tradition and innovation come together to shape the future. A deep dive into the opportunities and struggles of Europe's rural frontiers.
This documentary was created as part of the EUROPE project, a collaborative effort to foster connections and empower rural communities across the continent.
Acrisure
Race Fast Get First
My roles: Film Maker, Editor & Colorist
Year: 2025
Client: Acrisure
Immerse yourself in our “Race Fast Get First 2024 - The movie”. This journey brings together the most captivating sights and unforgettable experiences we shared with our business partners in Monte Carlo on May 25th and 26th, 2024.
Parco Nazionale Asinara
Asinara Reframe
My roles: Film Maker, Editor & Colorist
Year: 2019
Client: Ente Parco Nazionale dell'Isola Asinara
It was a prison yesterday, it is a National Park today. The infernal history of the jail preserved the paradisiac nature of the island. Experimental short documentary about Asinara Island (Sardinia), shot with 360 cameras and edited as regular 16:9 video thanks to reframing technology.
— creative fixes for technical problems, technical fixes for creative ones —
Bio
Cinema • Engineer
My name is Mattia Meloni (Met) and Studio Stage is my boutique studio founded in 2017 — I'm a film editor, colorist and finishing artist based between Turin and Berlin. I work across commercials, documentaries and series, shaping stories with rhythm and clarity and carrying them all the way to the final pixels. My approach mixes taste and craft with a slightly obsessive respect for workflow: clean timelines, disciplined color science, and invisible VFX when needed. When I’m on set, I support productions as DIT / data manager to keep footage safe and the pipeline predictable. I also teach post‑production at Polytechnic University of Turin (where I graduated in Cinema Engineering)— 500+ students so far — because teaching forces you to understand what you’re doing (and because I genuinely like watching people level up).
How I work
Taste • Craft • Reliability
I keep workflows calm, specs clean, and taste in service of the image. I protect the director and DoP’s choices through edit, color, and finishing. I handle versioning, notes, and approvals with speed and clarity. I deliver masters and exports with a conform- and QC-first mindset—no surprises at the end. And I bring a DIT/dailies sensibility that keeps color and editorial consistent from the start. I’m Resolve-first, and I move seamlessly across Adobe Creative Cloud when needed. The goal stays the same: protect the image and deliver clean, consistent masters.
Story & Structure
I approach every project as a narrative problem: what does the audience need to feel, and when? Even the most technical choices — pacing, transitions, color, sound — are story decisions in disguise.
Editing
Editing is where meaning happens. I love finding structure in messy reality (documentary), and precision in tight formats (commercials). Rhythm, intention, and emotional logic first; tools and tricks second.
Color Grading
Color is both taste and math. I design looks, match cameras, and deliver consistent masters for web, broadcast, and cinema. Whether it’s clean and modern or textured and filmic, the grade should serve the story — not compete with it.
Workflow
A good pipeline is invisible. I help teams avoid chaos with sensible naming, proxy strategies, color management, versioning, and delivery specs — so creativity doesn’t get eaten by technical debt.
DIT
On set I focus on reliability: media management, checksums, backups, and clean hand‑off to post. When the production needs it, I handle look management (LUTs/grades) so the creative intent survives the journey from set to edit to final grade.
VFX / Finishing
I build shots that don’t call attention to themselves: cleanup, screen inserts, rig removal, beauty work when appropriate, and seamless composites. The goal is simple: keep the audience inside the story, not looking for the stitch.
Sound Prep
I’m not just cutting pictures: I prep sound with the same care. Clean dialogue, solid temp design, and a mix‑friendly timeline make the final mix faster, cheaper, and better.
Teaching
I teach post‑production to students and professionals, translating complex workflows into practical steps. The mission: empower people to finish real projects with confidence — not just pass tutorials.
Contact
Let's get in touch
Mattia Meloni (Met)
Tel: +39 349 6191607
Turin • Berlin • Sardinia
met@studiostage.it
www.studiostage.it