// Plate / on-air — drag to compareclean grade vs the in-frame “exhibit” finishing
Plate · clean
On-air · graded + GFX
The DM-i Super Hybrid film that aired during Sanremo 2026, including the RAI “Golden Minute”. A museum of obsolete technology — floppy disk, removable car radio, CRT television, the combustion engine — each piece catalogued as an extinct species, making room for what comes next.
Plate · clean
On-air · graded + GFX
Plate · clean
On-air · graded + GFX
Plate · clean
On-air · graded + GFX
A spot that has to land in the most-watched television window of the Italian year can't be busy — it has to be precise. The edit treats each obsolete object as a museum piece: held long enough to read, cut on the beat of the voiceover, building a quiet catalogue that pays off when the combustion engine takes its place among the relics.
The grade is cold, archival, museum-lit — desaturated greys and clean whites that make the objects feel preserved under glass. Finishing is where the concept is built: the in-frame “exhibit” labels, the rounded display-case framing, the period treatments — composited to sit inside the scene rather than on top of it. Drag the sliders above to separate the clean plate from the on-air finish.
Editor, colorist, finishing artist and mixer on the same timeline — one hand from first cut to delivered master, audio included.
